Wednesday, February 24, 2010

Visiting Artist-Andrew Erdos

  • Awesome HAIR!!!
  • grew up in Philly
  • wasnt always into art, wanted to be an investment banker
  • got really into glass blowing in high school
  • stopped working with glass in a functional way
  • started thinking about how to use glass and that science of molding it in a time-based way
  • began to document the process and results of sculpture, and although the glass gets destroyed and then reused, the sculpture lives on forever through his photos
  • sometimes sets up sculptures with the intention of finishing them as a time based video
  • there are 13 santas in Iceland!! go figure
  • dont do heavy drugs!!!!! i mean dont do drugs




  • who would want to rob him at gun point?!?! dont worry, karma will kick them in the ass!
  • insane in the membrane... insane in the brain!!
I think im in love....


3rd group critical essays

KT Stemper-"Pipilotti Rist"



  • got started doing video projects through pop-culture fame.
  • uses a lot of symbolism through narrative with the character through real world disbelief.
  • uses red hot poker flower to destroy car window(real flower)
  • at first is
  • chooses to appropriate sounds from pop-culture in most work, but this time collaborated with others to create own sound
  • the music used in this piece is somewhat "trippy-like"
  • the title helps her to avoid labeling the piece and also creates a paradox through this child-like sense of play
  • in her camera style, she increases her color contrast to compliment the pop-culture phenomenon
  • she tries to get the message across that there is always going to be controversy on feminism, and that it should be embraced; the first generation has already rejected feminism and she thinks that since nothing else can be said, this generation should consider taking a new view on it.


Ryan Rudock-"Martha Rosler"

  • this artist concentrates on video and written work
  • focuses on everyday life events, and their different interpretations




  • in this video, Martha recites the alphabet and associates each letter with an object in the kitchen
  • as the video progresses so does her aggressiveness with the object she is showing
  • the video starts to become threatening, especially the way she stares into the camera without a single smirk, when talking
  • this video helps demonstrate the frustrations and pressure a women might feel in this era when being obligated to work in a kitchen and have it known as "her place"
  • can easily be seen as a feminist video
  • the video ends with her shrugging her shoulder to add a hint of humor and to release tension to the audience

Monday, February 22, 2010

final cut pro tips for project 2

  • 720 by 480 is used for SD videos
  • editing in Final Cut Pro
  • FCP-system setting-new folder for project-choose folders
  • save project to same folder
  • file-log and capture, video has to be playing in order to capture (can set in and out points or capture now button)
  • when done with capturing, press escape button
  • or: file-log and capture-press play-hit I when you want to start in point-press O when want to set out point
  • press log clip when wanting to separate clips for projects(this just logs)
  • highlight all clips that you want to capture(red ones)-file-batch capture-ok
  • remember to save folder on external hard-drive
  • (black tape from 0 to 60)
  • drag clip to time line-sequence settings-automatically makes sequence size of clip
  • set far right window to image and wire frame(this allows you to play multiple clips at once in different frames/boxes)

2nd group critical essays

Sara Martinez- "Bill Viola"

  • He has been around for 30+ years.
  • Doesn't use much camera movement and angles to show entire environment being filmed.
  • inspired by Buddhism and Christianity, and he focuses on dualism: soft & hard, loud & quiet, etc. ( he thinks you cant understand one without the other)





  • this video uses white noise to help meditation and to concentrate on surroundings; calm feeling
  • must focus on small details to understand the full effect of the video because it is very subtle
  • the man in the video fades into the background & becomes nature
  • he jumps and freezes in the air, but surroundings are still moving
  • reflections of other people are seen moving in the water
  • water turns black at some point then back to normal
  • male comes out of water naked, disappears, then is seen walking through the woods again
  • plays with idea of what is real and what isn't real, especially with reflection in water
  • water drips from his feet when he is still in the air (this shows his connection with water without him being in water)
  • he is first clothed before jumping, then naked after coming out of water to show his rebirth.


Will Scott-"Spike Lee"

  • Lee tackles many different controversial topics in his movies, like racism
  • delivery of these topics are very "in your face"
  • uses vast dialogue, camera angles, and transitions to change mood of viewers and different characteristics of the characters






  • The movie is titled "The 25th Hour"
  • the main character complains and expresses his feelings about various people, races, generations, family members, friends, and architecture in New York city, in a very vulger way (doesn't hold back; isn't subtle)
  • shows love-hate relationship
  • shows images. like american flag, to arouse emotion



  • this is another clip from the movie
  • uses light to set emotion: blue is when the character has grasp on the conversation and situation, and red is when he is acting on impulse
  • shows different taboo situations in everyday life

Wednesday, February 17, 2010

1st group of critical presentations

1. Emily Sneedon-"Michel Gondry"

  • Presented the video that was directed by Gondry- "Too Many Dicks On The Dance Floor"
  • Went into detail on the video, and that deep explanation gave insight on storyboard of video and Gondry's thought process.





Explanation:
  • various beats and camera angles to emphasize overall lyrics
  • gives us a big view of dance floor t know where the characters will move
  • Diegetic Sound-sound whose source is visible on the screen or whose source is implied to be present by the action of the film.
  • mainly uses cuts as transitions fantasy realism
  • emphasizes a lot of spacial relationships to allude from the fact that the setting is an actual club dance floor and not a film set


2. Nicole Pennington-"Paul McCarthy"

  • Showed video clips such as "Cultural Soup" and used that video, directed by McCarthy to somewhat generalize his style.

Explanation:
  • Phallic representation: styrofoam ball on broomstick
  • Audience relations
  • psychoanalytic theories
  • repetitive dialogue: much like brain does with memories
  • coping
  • castrating father figure
  • Oedipus complex: son loves mother and is jealous of father

Class Scores

Last class we all did our 90 minute scores, and i must say it was anything but usually. Its hard to sum up what went on for that time, but it did give me a great senseof everyones personality. I had fun listening to the sounds of our movement, and enjoyed the project overall.

Monday, February 8, 2010

Fluxus Clarity

  • Fluxus started in the early 1960s with artists working in NYC.
  • Other Fluxus groups started in Europe and moved to the U.S.
  • Fluxus is a broad movement, with artists working in sound, text, performance, media, and continues today
Fluxus Artists:
  • Dick Higgins
  • George Brecht
  • La Monte Young
  • Allison Knowles
  • And many more
Fluxus Forms:
  • Flux Kits or Multiples
  • The Event
(Hints that the artist, work, and audience are blurred in some way)


  • The technology of computers was a big influence with Fluxus. Media changes everyday as dose Fluxus.

Flux Kit:
  • A database structure
  • non-hierarchical
  • a list of unordered items
  • a collection of individual items w/every item having the same significance as any other
The Event:
  • kbf
  • iwkjf
  • oewjf
  • wfm

Fluxus view of art-making:
  • making something "special" by exaggerating, patterning, juxtaposing, shaping, transforming...making something ordinary into something special
  • making room for the consideration of others perspective, and a common respect for difference.
  • valuing primary over secondary experiences
  • strives to offer depersonalized, primary info about a subject or action
The Flux Kit:
  • offers "not the perspectivaly controlled and controlling visual model of veristic art...but sensory info for a radically empowered experience of art that connects the individual to a greater social or environmental context."
  • thought that you aren't creating something to resemble something else. What you are creating is what you are creating.
John Cage and the logic of change:
  • focused on silence(cage of silence)
  • expresses the idea that we make art in scores, and that scores aren't only for music purposes.
  • thinks that sound is acting.
  • idea was to accept whatever sound occurred within a period of time.


  • The Fluxus movement followed 1950s Action Painting as demonstrated by Jackson Pollock.
  • Life Media: spontaneous decisions, the relationship to the environment, and the physical parameters within which the work occurs.



Fluxus Handout Summary

  • Rene Block coined the term Fluxism which refers to the idea and philosophy of Fluxus.
  • Fluxus is rooted in ideas of global transformation, changes in the world and changes in the way we see the world.
  • Paradigms in art emerge when the world-view is shifting. Shifts in vision shape culture, history and science.
  • Fluxus and intermedia emerged in the era of electronic music and video.
  • Visibility and value do not always coincide.
  • Fluxus was born at a shifting point in the world views.
  • The idea that you can be an artist, and at the same time an industrialist, an architect or a designer, is a key to the way we view our work and our role in society.
  • Fluxus was first a magazine title that never took off. But when a festival emerged in Wiesbaden, Germany, it was called a Fluxus Festival, and that eventually made the Fluxus group.
  • A second generation emerged as the Fluxus artists began to influence others through friendship, collaboration or even teaching.
  • Fluxus has been able to grow because its had room for dialogue and transformation.

Twelve Criteria of Fluxus:
  1. Globalism: embraces the idea that we live on a single world, a world in which the boundaries of political states are not identical with the boundaries of nature or of culture.
  2. Unity of Art and Life: when Fluxus was established, the conscious goal was to erase the boundaries between art and life, the sort of language appropriate to the time of pop art and of happening.
  3. Intermedia: idea that Fluxus was an art form appropriate to people who say there can be no artificial boundaries between art and life. Without those boundaries, there can be no boundaries between art form and art form.
  4. Experimentalism: trying new things and assessing the results. Experiments that yield useful results cease being experiments and become usable tools.
  5. Research Orientation: applies not only to the experimental method, but to the ways in which research is conducted.
  6. Chance: in the sense of aleatory or random chance, is a tradition with a legacy. Random chance, a way to break the bonds. Evolutionary chance engages a certain element of the random. Genetic changes occur as well in a process that is known as random selection.
  7. Playfulness: the play of ideas, the playfulness of free experimentation, the playfulness of free association and the play of paradigm shifting that are as common to scientific experiment as to pranks.
  8. Simplicity: refer to the relationship of truth and beauty, and related to the term elegance.
  9. Parsimony: refer to the relationship of truth and beauty, and related to the term elegance.
  10. Implicativeness: an ideal Fluxus work implies many works. This notion is close to and grows out of the notion of elegance and parsimony.
  11. Exemplativism: the quality of a work exemplifying the theory and meaning of its construction.
  12. Specificity: has to do with the tendency of a work to be specific, self contained, and to embody all its own parts.

  • Musicality refers to the fact that many Fluxus works are designed as scores, as works which can be realized by artists other than the creator.
  • The issue of musicality has fascinating implications: the mind and intention of the creator are the key element in the work.
  • Fluxus today isn't the Fluxus that was sometimes an organized group, or movement.
  • Fluxus, the circle of friends, the way of thinking and working, is alive

Sunday, February 7, 2010

Project Critiques

Sara Martinez-"Constellations": This project was made with the use of black construction paper and clear push pins, added affects in FCP and Photoshop, and was given a more star-like effect. The stars move around to create different scenes and pictures in the sky. Some parts of the movie are sped up more than others and I find it a bit distracting. I like where this project is heading and would like to see it made to be longer. I like that the stars "played" themselves in different scenes such as the city sky line, where the stars made the buildings and the actual stars. I also like how one image transforms into another with the subtraction and addition of the push pins.

Joel Ramnaraine-"Sunlit Romance": This project was filmed outside in a park setting. Its about two young people and their intriguing relationship. The whole movie, the audience wonders about their relationship because there are scenes that look like they are searching for each other, scenes where they are walking away from each other, and finally a scene where they end up together. Its a nice piece and although there was one setting and one camera angle, it worked well with the tone of the movie, and the music complimented the mood.

Nicole Pennington-"Dead Leaves": In this project, dead leaves form images to create a narration of a love story. Full of hope and sadness, its a beautiful romantic tragedy. This project shows a good sense of motion and I almost forgot that it was a stop motion animation. The crumbling of the leaves and the last piano key struck my heart and made me feel a connection with what the couple was feeling as they parted. Fantastic piece.

Leslie Dulfer-"And Then There Were Two": This piece fits a very cliche idea of a love story. The way that male figure portrayed his feelings were very exaggerated, but in a good way. When the two figures fall in love I expect too see them running in a field of flowers as well, to complete a corny scene. The video is tasteful and the choice to have no music allows the audience to fill in that void themselves.

Jim Kirkwood-"Les Lapins": My absolute favorite stop motion animation piece in the world!! Its cute at first with the bunny's because they are known as innocent creatures, so you don't expect to see them having sex at the end. The music also compliments the movie, especially with the line, "with your cheeks so soft." It shows a good sense of timing. The subtly of the flirting at first mixed with the raunchy and indiscrete love scene makes it perfectly hilarious and fun to watch.

Olga Brachollari -"Moot": As the girl drops the cup of liquid on the floor, a mud monster is born. This already gives leeway to an interesting movie. All the mud monster wants to do is stop pollution!! I like that he winks as he is throwing the cup away after making his way to the garbage can. But shortly after he is stepped on and that reflects on how others step on peoples efforts to recycle and be environmentally friendly. Wish there was music to add to the drama of the movie since it was so short, one with a climax when he finally throws away the garbage and a fumbling sound when he is being squashed.

Gaby Mendez-"The Sacrifice": Nothing spells irony quite like this movie. Its funny how the Wheaties cereal pieces are trying so hard to be a part of the cereal in the bowl and little do they know that they are escaping away to a dark fate. The faces on the cereal was a great addition because it shows more emotion and thus allows the audience to connect with them more. However, I wish there was milk in the bowl to make it look more realistic. Also, the liquid state of the milk could have added nicer movement to the piece.

Kirstin Anderson-"Buaia Baruk": Great soundtrack to go along with the movie. Has a good guy/bad guy feel to it, and has you rooting for the monkey the entire time. Its fascinating how the cut outs are used in various scenes. There was so much movement for a paper material that isn't very flexible to begin with. The timing of the actions and the music is on point. Overall, a very successful project. One thing to change would be to not have the music cut off so abruptly at the end.

William Scott-"Under My Skin": Nice elevator music. Adds a casual feeling to such a casual routine in the overall movie. Its a good way of spicing up an everyday scenario and making us all want to have music like this play as we clean our face and wash our hands. I didn't get the message at first about it being a short movie on the perspective of someone who has OCD, but now I do.

KT Stemper-"Towel Dry": I like the various camera angles. Also, how the movie settings aren't limited to one room. I like how instantly the towel comes to life and takes a journey. We saw a short story through a towels perspective and a humans perspective. Should fix the clips where you can see shorts on the person when they are getting out of the shower, I feel like this movie should perhaps be longer to express a definite narration.

Emily Sneeden-"Check Your Spam": I love how an animated drawing is brought into a real life setting through a use of metaphorical play on words. "Check Your Spam" is ironic because spam mail is sent to a spam folder so that you don't open up a virus. Also, the title hints that you should perhaps check the expiration date on your spam can. The fact that the 2D realm meets the 3D realm is a great twist to this project.

Ryan Rudock-"Flashed": I don't really understand this movie. Why is the superhero, Flash, moving so so? I wish there was more of a story plot going on. I did like the shadow of the action figure on the background photo because it reminds me of an old time movie setting when they are in a car "driving" but the only thing moving is the background. So the inverse was done in this case.

Anthony Moitisanti-"Familiar": I like how you use the nature of the transformer to transform into a helicopter to get to the cookie jar. And letting us know what the transformer is looking at, by having the objects twinkle, was creative and humorous. Perspective through a toys eyes. Abstract and unreal world is successfully played.

Kelsey Olson-"Film Colorer du Ferbie": This movie shows us a mystical world of love, lust, and longing. This theme is a very adult them, that is portrayed through children's toys. Its wrong yet intriguing at the same time. I like how the Ferbie moves through the house animating so many other objects. Thats what gives the sense of another world, like how toys come alive when people aren't looking, rather than just a possessed Ferbie. I also like how the lighting and mood change throughout the story. From day to night, excitement ad fear.